My Top 5 Exhibitions of 2019

I know it has been very quiet on the blog front here at the Welsh Historian, but it is because I have been working non-stop. Organising events programming at the Jewish Museum and working at a cocktail bar in the evenings, surprisingly, does not give much time for anything. Let alone blog entries!

2019 has been a massive year of change for me and an absolutely amazing year for exhibitions in the UK. In the little spare time I have had off work, I have visited some absolutely groundbreaking exhibitions focusing on a plethora of topics, ranging from Tutankhamun to Troy, Keith Haring to Hogarth, there were too many to choose from to pick one favourite. So, I have decided to give my top 5 exhibitions of the year…

The Art of Persuasion: Wartime Posters by Abram Games- National Army Museum

Although they did not call the exhibition ‘War Games’ (a missed opportunity I know!) I really enjoyed visiting this exhibition. Having visited the National Army Museum only a handful of times before, I was pleasantly surprised at the layout of this exhibition. Inspired by his Jewish heritage, his experiences as a soldier, and the turbulent politics of the time, Games used his talent for visual communication to recruit, educate and influence soldiers and civilians alike. His posters took on a modernist approach and would have stood out , becoming very effective in recruiting. He designed the iconic WAAF poster below which dramatically increased enrolment in young women.

The exhibition layout was extremely engaging, showing the thought process behind the designs. Games using simple imagery to convey a clear artistic image and message. One of the best displays was that the gallery showed posters under different coloured lighting to show how different aspects of the images stood out in different colours, completely changing the images and our concept of them.

Manga- The British Museum

This exhibition was a personal highlight for me as I had access to the exhibition after hours and managed to take my sister, who is a big fan of manga comics. As someone who had never read manga before, the opening graphics explaining how to read manga and what certain images and symbols meant to the story, were extremely helpful and made the exhibition more accessible to me as a viewer. One main topic that was notable was the spotlight that was shone on female manga artists who have made strides in a male-dominated field to make girl-comics more mainstream and open the genre to include young women. I enjoyed the exhibition so much that I wrote a blog article about it earlier this year. You can find the article here:

Tutenkahmun- Saatchi Gallery

I want to say firstly, I had a strong moral objection to going to this exhibition as at £33 a ticket, I believe that the Saatchi Gallery were making this amazing exhibition completely inaccessible to a whole demographic of the British public and tourists. I think that it is wrong for museums and galleries to restrict exhibitions based on financial income and it completely cut of a whole new audience of museum goers who might have found inspiration when a museum would not normally be their first choice of entertainment. However, my parents were visiting me and decided to treat me with a ticket so I decided to go. I acknowledge the privilege that I have had to be able to spend that much on an exhibition ticket and thus, whatever I thought of the exhibition, I would not give it a review without mentioning how despicable I find it, as someone who works in the museum sector, to charge visitors such an extortionate amount.

I am also extremely dismayed to inform readers, after that outburst, that this exhibition was beautifully displayed. Every object was extremely well lit and well preserved. Half of the objects looked as if they were brand new, the level of care and conservation of these objects is the best I have ever seen. Golden statues with such ornate details shone amongst the alabaster and lapis lazul. I have been extremely lucky to view these amazing objects in my lifetime. I will say however, that the audio-guide (that was an extra cost, no surprise) did not have as much information as one would suspect due to the price of the ticket. It would have been extremely helpful to have a graphic at the start of the exhibition, such as the one in the British Museum’s Manga exhibition, of the common Egyptian symbols that were prominent in the collection and explaining their significance to the various Gods of Ancient Egypt.

If you can afford the price, and be lucky enough not to endure the crowds on the weekend, I would recommend this exhibition. Solely for the plethora of perfectly preserved objects.

Keith Haring- Tate Liverpool

The Tate Liverpool’s exhibition on Keith Haring was extraordinary. Stepping into the legendary New York art scene in the 1980s, you are submerged into a world of political activism through simplistic figures and shapes. The Director of Tate Liverpool Helen Legg states: ‘Haring united the realms of uptown high art and downtown street culture, in turn expanding the legacies of pop art to address the most urgent political and social issues of his time”.

Through the exhibition we see his natural talent being combined with performance art pieces as he draws characters on posters in the subway and draws a continuous piece barefoot until he is trapped on a corner of his own canvass. He blends themes of LGBT rights, space exploration and drug use into complex tapestries where each small aspect of his work creates a masterpiece of excitement and individualistic beauty. His voice being used as an advocate for LGBT rights has made him a very well known figure in New York, and it was astonishing to see how much his work resonated with visitors in the United Kingdom who had perhaps not known him before attending the exhibition. I personally enjoyed the exhibition so much I bought a poster AND a catalogue (I often have to restrain myself from buying museum catalogues but this one was too good to resist)! I loved that such a huge groundbreaking exhibition was shown outside London, making the art world open itself to new audiences.

Troy: Myth and Reality- British Museum

The Troy exhibition at the British Museum was one that I really enjoyed due to my severe lack of knowledge of the Ancient world. I had grown up reading the Greek myths through children’s story books, but had never studied Ancient Greece academically. The whole Helen of Troy and Paris story has been played out in Hollywood and replicated in so many different works of fiction. However, I did not happen to know the origins of the tale. As per usual, the plight of the people of Troy originated with the Gods fighting and causing trouble for each other.

Eris, goddess of discord, has not been invited to the wedding of Peleus and Thetis so she takes her revenge, throwing a golden apple amongst the guests to cause trouble. The apple bears the inscription ‘for the most beautiful’ and three goddesses fight to claim it. Zeus asks Paris, the Trojan prince, to act as a judge. Each goddess offers Paris a bribe for him to choose her. Aphrodite, who promises the love of the world’s most beautiful woman, wins. The woman is Helen, married to Greek king Menelaus. Paris steals her and takes her across the sea to Troy. The Greeks retaliate and assemble a large fleet commanded by king Agamemnon of Mycenae and lay siege to Troy for many years.

This introductory story was shown through many objects, such as pottery, and through very interesting visuals, projections of the Gods, helping explain the imagery on the pottery.

The exhibition then tells the tale of the great battles between Troy and the Greeks. Many stories of different characters get brought to the forefront of the exhibition, but one mention that stood out was the mention of potential homosexual relationships. On a sarcophagus we see Achilles grief-striken as his friends bring him the dead body of Patroclus, his closest friend and probably lover. Achilles takes out his revenge soon enough and eventually gets wounded, which, a prophecy once foretold, meant that death was soon to come.

I would recommend this exhibition to those who wish to gain a further insight into the tale of Troy and the famous Trojan horse. As the objects were not in great shape due to wars, colonialism and general damage due to age, the British Museum made a great deal of effort explaining the stories behind the artwork and objects, more than the Audio-guide at Tutenkahmun. It helped me gain a great foundation to build upon, to explore more ancient history in 2020.

I wish to all my readers a very happy New Year. May everybody have a lovely 2020 and I hope to see you all return to this blog in the upcoming year.


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